Identifying The Day We Were Dogs Essay -- Day We Were Dogs Essays

Identifying The Day We Were Dogs Whether or not The Day We Were Dogs (1993) is a wizardly realist story is question fitting. Often stories are misidentified because of the closeness of literature such as magical realism, the fantastic, and the sublime. The story leaves a lot to onenesss imagination instead of presenting it in the text. Elena Garro blends two days and two completely different worlds together in this story. The magical elements depend on how one uses his or her imagination passim this story. The girls could either be pretending to be dogs or they could have rattling become dogs. If they are in fact real dogs, they are able to talk, and their dog Toni also talks. Also, magic numbers are used throughout the story. The main magical element is the blending of the two days. The story jumps binding and forth between the two and never distinguishes between them. The true-to-life(prenominal) elements allow Tonis actions. He shows how dogs spend their days lying under a direct and eating all day. Another realistic element depends on how one accepted the events that happened within the two parallel days. If the girls were not actually cancelled in to dogs but were just pretending, then this fact is another realistic element. Children often pretend they are animals, expecially dogs. In magical realism, the text contains something we cannot formulate according to the laws of the universe as we know them (Faris 167) and the descriptions detail a stong social movement of the phenomenal world (Faris 169). These quotes explain why one might judge that this story is magical realism due to the two different worlds that are going on at the same time. Also, one experiences the closeness or near-merging of two realms, two worlds (Fari... ...l realism Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham N.C. Duke UP, 1995. 249-263. Garro, Elena. The Day We Were Dogs. Latin American Writers Thirty Stories. Ed. Gabriells Ibiet a. New York, N.Y. St. Martins Press, Inc., 1993. 206-212. Faris, Wendy B. Scherazades Children Magical Realism and Postmodern Fiction. Magical Realism Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham N.C. Duke UP, 1995. Sandner, David. Romanticism and Transcendence in Nineteenth-Century Childrens Fantasy Literature. The Fantastic Sublime. Westport, C.T. Greenwood Press. 45-65, 142-147. Theim, Jon. The Textualization of the indorser in Magical Realist Fiction. Magical Realism Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham N.C. Duke UP, 1995. 235-247.