Discuss the Use of Mendacity in Cat on a Hot Tin Roof Essay

Discuss Williams treat manpowert of m break offacity in typify I and Act II Mendacity is the system in which men live Brick to considerable dad Mendacity is a key theme in the play Cat on a Hot Tin capital and the lies that the characters in the play keep from each other is a technique Williams pulmonary tuberculosiss to have hesitation and s rotterdal. The secrets that eventu everyy surface ar what Williams dubs the inadmissible things that argon repressed at all costs. The two main subjects of repression are Bricks hidden homoeroticity and well-favored soda waters close at hand(predicate) last, which the family are all aware of except freehand Daddy himself, and macro mommy. large-scale mummy desperately invests all her future hopes in the dream of Brick becoming a family man after the men are forced to confront these secrets. She is below the false belief that the responsibility of fatherhood will put an end to his alcoholism, and that their e enjoin could go to the rightful heir. Big Mama believes that the preservation of the family line of products runs finished Brick, and he will represent Daddys immortality.The perfect fantasy of Brick and Maggies family, however, is yet another of the plays lies. The kindred between Brick and Maggie in Cat on a hot give the sack roof represents repression of some(prenominal) the truth and sexual desires. Maggie infinitely refers to herself as a cat which is a method used by Williams to represent how through how her husbands neglect she has been forced into a constant deposit of anxiety and bitterness and is frantically desiring Bricks affection. Brick is cold towards Maggie from the beginning of the play which insinuates that possibly an incident had happened previously in their marriage that caused Maggie to convey frantic and Brick to fix to liquor in an attempt to put up a overwhelm himself and the real world namely his relationship with his wife. Maggie possesses a constant intent desire to have a child with Brick, not only because she loves him, however as she believes it will help them gain a larger trade of Big Daddys fortune when he dies from pubic louse.As Maggie is fully aware of the fact that Big Daddys death is imminent she resorts to bringing up the subject of Bricks late consort overlord in an attempt to relate with the cold, emotionless Brick something we learn Brick made her foreshadow not to do on the grounds that theyll stay together. The mendacity in Brick and Maggies marriage begins to surface at the end of Act I when Maggie indicate that the feelings that overlord had for Brick werent pure and implies that Skipper had homosexual desires for Brick. Brick becomes angered by the fact that Maggie wasinsinuating that Skipper was gay, he tells her shes naming their hotshotship squalid to which she exclaims Im naming it so damn clean that it killed Skipper. Williams uses Skippers suicide to create a reason for Brick to snatch to alcohol. In Act II Brick reveals to Big Daddy that mendacity is the reason that he drinks, and he drinks to escape reality and so things, in his own head, become peaceful.Williams uses the unrequited love matte for Brick by many of the characters to create a sense of responsibility to which Brick is in no fit call forth to live up too. This is physically represented by the way Brick repeatedly tries to flee from having an important conversation with Big Daddy in Act II. Both the characters of Big Daddy and Brick display iniquity with mendacity. Big Daddy represents this with his outbursts at his own family such as when he confronts Mae for eavesdropping and says I cant stand sneakin and spyin in makes me puke Big Daddy too reveals to Brick at how he cant stand Big Mamma, and continuously refers to her as fat an ugly and confessing how he never should have blow so much time with her. Big Daddy and Brick are both hypocritical in the sense that they clean-cutly share their hatred of the mendacity that surrounds them, when in fact it is the lies and secrets they keep to themselves that they kept from each other that are the genuine causes for their unhappiness. Big Daddy confronts this issue when he suggests Brick take responsibility for Skippers death , he tells Brick You been passing the buck.This disgust with mendacity is disgust with yourself. Youyou dug the grave of your friend and kicked him in itbefore youd face the truth with him Daddy delivers his crowning(prenominal) diagnosis of Brick toward the end of Act II. Brick is disgusted with his own mendacity before the homosexual desire in his friendship with Skipper. He metaphorically dug his friends grave for him rather than face the truth that they possibly share more than a close friendship. Thus Daddy calls his son to view You he cries accusingly. While Daddys diagnosis rings unbent, it is suspiciously familiar. Indeed, it repeats Daddys own remark to himself in Act II, in which he exclaims in disgust over the mendacity in his staying with Big Mama for forty years. Brick himself has echoed Daddys outburst on mendacity as a feint, as another way of passing the buck. Daddy has taken its hidden truth. It also seems, however, that he has perhaps projected his own disgust with mendacity onto Brick, bring outing the narcissistic nature of the relationship they share. Williams created therelationship between Brick and Big Daddy to represent a degree of honesty in a play that is saturated in lies and secrets.Although they are not entirely open with each other, they share a mutual respect which means they are truthful and Williams uses them to bring to the surface Big Daddys true opinions on his family and their attitudes towards him, and the inheritance they so desperately desire. Another technique Williams uses to highlight mendacity in the family is through the way the characters of Mae and Gooper are portrayed. Supposedly the object lesson of an precedent family with five no-neck monsters they call children, Mae, Gooper and their children appear grotesque and irritating to both the listening and Big Daddy. They personify the human nature of greed and are know to be manipulative by constantly sneakin and spyin on Brick and Maggie and reporting to Big Mamma the many problems they have within their marriage, including how they dont forty winks together. Williams uses comparison between the ugly yet child-bearing Mae and Gooper and the beautiful childless distich Maggie and Brick to highlight how greed and the desire to inherit Big Daddys fortune is the only reason they spawned their five same little monkeys.At the end of Act II when Brick confesses to Big Daddy that he is in fact dying, he loses his temper branding his family bar Brick fiction SONS OF LYING BITCHES. Williams uses Big Daddys description to Brick of the relief he felt on hearing he was supposedly all clear of cancer to build up tension in the scene. Brick, although almost completely malarke y of emotion in other scenarios, feels guilt upon hearing Big Daddys plans when he though he had his life back. Williams continuously uses the news program rot in Big Daddys dialogue for example when he says Why should I do that? Subsidize worthless behavior? Rot? Corruption? By doing this he is subliminally making the character of Big Daddy make unknowing references to his cancer, which symbolises the way that the family knows about his illness, but Big Daddy himself is unaware.The whole time Williams is building up drama for the finish of the scene when Brick accidentally tells Big Daddy that he is, in fact, dying. In conclusion mendacity is a tool used by Williams to build up tension in the play. Williams uses the character of Big Daddy and his naivety towards his end point illness to highlight the extent of the lies and secrets his own family were keeping from him.The way in which the scenes flow is also another method the playwright uses to create suspense and dramatic ten sionalthough the dialogue is fast paced the conversations between characters, particularly Brick and Big Daddy, are gradually built up to a climactic state until an interruption of some sort, which slows the pace of the dialogue back down. The time catch in which the book is set, in Mississippi in the mid 1950s, contributes to the use of mendacity in the play. Williams understood the gossiping nature of the communities on the deep southwest of America and uses what would have been the pressure to be well presented to your peers to explain wherefore Brick and Maggie had stayed together when Maggies love is unrequited.